“Big Hero 6”…are you kidding me? When I heard that Marvel had greenlighted this project sometime back, I just shook my head. “Ant-Man?” “Guardians of the Galaxy?” “Big Hero 6?” Did somebody lose a bet? How are they going to get movies of these screwball comics when they haven’t yet mined obvious gold from the classics, like Power Man and Iron Fist, Black Panther, Dr. Strange, or put out a Black Widow solo feature? Then I heard it was going to be a Disney animated film. Oh, well, okay then. Disney knows a thing or two about making successful animated films.

Got a problem? Odds against you? Call The Equalizer. 212-555-4200.

Back in the 80s, those action packed nights of television drama, Robert McCall (Edward Woodward) was a sort of one-man A-TEAM. Disillusioned with his former career as a secret agent, McCall chose to retire and start standing up for the little guy. No situation was too large and no situation too small (although the smaller ones usually turned into subplots, while the larger ones drove the episode). Whether you were a high school kid being bullied or your invention has been stolen by a corporate giant, whether the bad guys are international terrorists or just a crumb-bum of a slumlord, anyone who called upon The Equalizer and truly needed him found him at their side -- and the fee was always quite reasonable.

My favorite version of ANNIE is the 1982 version with Albert Finney and Carol Burnett -- even though every version out there is the same story, with the same songs. All you can basically do is change the actors and alter the dialogue a bit. That's a challenge to any director who wants to make his mark on the long-running franchise about the plucky little orphan girl who goes from rags to riches by warming the heart of a tycoon.

He's got no string to tie him down -- just a boundless curiosity, an eager enthusiasm, and metal parts.

Neil Blomkamp directs and co-writes this Hugh Jackman / Sigourney Weaver vehicle that, at first blush, appears to be a little bit of WALL-E and a whole lot of SHORT CIRCUIT. And to be certain, a lot of the memes of the latter are evidenced in the trailer for CHAPPIE, as we see the robot go through scenes of artistic expression and melancholy, scenes of comic misunderstanding and of panic when attacked for being different. If I could put a tagline on the film, it would be something like, "You will believe a robot can cry."

In this trailer for Blomkamp's modern PINOCCHIO, I found my initial cynicism dissolving until, by the end, I was actually excited to see this film. With MARVEL'S AVENGERS: AGE OF ULTRON also coming next year, 2015 may just be the Year of the Artificial Intelligence.

Check out Sony's trailer below and see if you dig it as much as we do.

When unknown actor Michael May gets cast in the lead role of Captain Liberty, he thought it was the beginning of a dream. Instead, it was the first day of a living nightmare. While participating in a full-dress script reading with his co-stars in the "Defenders of Liberty" movie, May finds himself suddenly fighting off a zombie apocalypse alongside the likes of Kevin Could-Be-Hart, Dwayne Might-be-Johnson, Tom Looks-Like-Cruise, Bryan Not-Bad-Cranston, Selena Gotta-Be-Gomez, and Shia Quite-Possibly-Labeouf. God help us all.

There's so much to like in this pop culture parody that marries together elements of ARMY OF DARKNESS with zombie films like ZOMBIELAND and Yard Dog Press's BUBBAS OF THE APOCALYPSE. The script from Ralph Tedesco and Joe Brusha is, in my estimation, screenplay ready for this to be adapted into one of the best science fiction B-movies, if only the right actors could be convinced to take on their roles.

Roland Joffé started his career with back-to-back Oscar nominations for best director on the strength of “The Killing Fields’ and “The Mission” in the mid 1980s. He followed that with a string of Razzie nominations for “The Scarlet Letter” and “Captivity,” and he was also hand in the live-action “Super Mario Bros.” which was an absolute train wreck. His latest film, “Before I Go to Sleep,” isn’t even worth wasting a perfectly good Razzie on.

Dan Gilroy has always been a solid screenwriter, He wrote one my favorite early 90s sci-fi movies, the under-appreciated “Freejack,” which starred Emilio Estevez, Mick Jagger, Anthony Hopkins and Gilroy’s wife, the beautiful and talented Rene Russo. He followed that up with “Chasers”, a silly comedy featuring Baywatch beauty Erika Eleniak, Tom Berenger, and Crispin “George McFly” Glover. More recently he wrote “Real Steel,” the robot boxing movie with Hugh Jackman and “The Bourne Legacy” starring Jeremy Renner. Most of his films have done pretty well, and with his most recent effort, “Nightcrawler,” he finally gets to sit in the director’s chair. With one of the most versatile lead actors in the business and a couple of always-reliable supporting actors, and a juicy story to tell, Gilroy’s first directorial effort is not only a hit, it could get some Oscar nominations.

Syfy knows its audience. With so much fan support for CONTINUUM, it makes sense to bring in another time-travel story about someone from the future trying to prevent a catastrophe by going into the past. This time, the network looks to an established storyline, springboarding off the Bruce Willis film, 12 MONKEYS.

Justin B. Williams is a busy man these days. In addition to work he was already performing with his HI FIVE Community Development Corporation and his career in music as part of 23n PIMPIN featuring Day Walker and TheGIFT.I.C. he has also become a correspondent for the Allman in the Morning show on 97.1 FM, as well as Susie Moore's podcast, Q with a View.

What's propelled Williams -- a.k.a. The Day Walker -- into the spotlight is a combination of being the right person in the right place. In this case, the place happens to be Ferguson, Missouri, where The Day Walker has been in the thick of the peaceful protests, while working in cooperation with Emerson Electric to help revitalize Ferguson.

Critics weren't kind to DIVERGENT, but audiences held a different opinion (41% to 71%, respectively, as ranked by Rotten Tomatoes). So how to ensure a better take on the sequel, THE DIVERGENT SERIES: INSURGENT?

By going 3D, of course! Summit Entertainment has made it official, and to get fans of the series pumped up for the March 20, 2015 release, they've released a set of interactive 3D character posters.

This contest has ended. The two randomly selected entries are:

CINDY B. from TACOMA, WA

and

JENNIFER H. from ARLINGTON, TX

Congratulations!

We've got a special contest this time around. Not only do we have a great show on DVD as the prize -- but because we have two seasons of the show, we're giving away a copy to two winners! That's right, TWO lucky people will walk away with this one!

When Timbo, a stuffed elephant, arrived at Andrew's apartment, he was thrilled -- especially when Timbo starts talking to him! Together, this pair of new friends set off on adventures of imagination... which all too soon come to an end when Andrew learns the package that brought Timbo to him was meant for his neighbor, Louise.

ELEPHANTASTIC! is a gorgeously told and illustrated story from Michael Engler and Joelle Tourlonias. It is emotionally evocative of both Milne and Watterson, and expertly communicates through the artwork the overlay of the imaginary over the reality. When Andrew learns the truth, the reader is just as crestfallen as the child -- and they simultaneously share in his elation when the story reaches its heartwarming conclusion.

Title: Cinderella: Age of Darkness (1 of 3)
Publisher: Xenoscope
Creative Team: Joe Brusha and Pat Shand (story), Pat Shand (writer), Ryan Best (artist), Renato Guerra (colorist), Jim Campbell (letterer), Nicole Glade (editor)

The latest offering by upstart indie company, Zenescope, is a Cinderella story like you've never heard before. Of course ALL of their fairy tales are unlike any you've heard before; that's kind of the point. In this version of the tale, 'Cindy', has drawn the ire of the Dark Queen for her repeated failures as an assassin. Rather than just kill Cindy herself, the Queen has decided to task her with a suicide mission: Hunt down and kill Hades, the last living God. Armed with her own sword, three 'gifts', and repeated advice to just run away, Cindy is out to prove once and for all that she's not an idiot...

This contest has ended. The randomly selected winner is:

Diane V of Chesterfield, VA.

Ah, the digital life! We no longer have to set aside valuable space in our homes to store our movies. Now they can reside in cyberspace, or on our hard drives.

And that's the crux of our giveaway this time: One lucky entrant will win a Digital Download code for THE BLAIR WITCH PROJECT. Just enter your information in the form below and be entered into the contest. Be sure to review all the rules regarding eligibility. CriticalBlast.com will not, does not, doesn't plan to, and will never share your personal information, and all entries are deleted upon confirmation of prize delivery to the selected winner's address. (Thank you, U.S. Postal Service, for online tracking!)

In this issue... someone dies!

Oh, sure, big deal. Happens in comics all the time. It's even happened in this comic series before. In fact, someone dying is the reason this comic has a protagonist -- Lenore, the "cute little dead girl" who flits through life with her otherworldly friends with all the innocent macabre of a zombie Harveytoon.

Where else can you find living pickle hats? Or see the absurdly logical and lethal extension of the Austin Powers peeing scene for someone who's been asleep for thousands of years instead of just tens? Only in the darkly comic tale of Roman Dirge's Lenore.

“Dirty Dancing” is the quintessential chick flick. Patrick Swayze’s Johnny represented the archetypical bad boy from the wrong side of the tracks, while Jennifer Grey’s Baby was the wide-eyed ingénue whose heart could never be filled by the merely ordinary. The Fabulous Fox Theatre in St. Louis opened their 2014-2015 season with Dirty Dancing: The Classic Story on Stage, a rather unusual bit of phrasing that hides the truth of it: this show barely qualifies as musical theatre. 

She says she's not seeing him, and hasn't seen him for ten years, says "Mama" June Shannon in a video posted to the family's Facebook account. But ever since TMZ first broke the news that Shannon had been seen with convicted child molester, Mark McDaniel, the photographic evidence has been mounting up, and all of it seems to back up the fact that the two are definitely a couple, most recently seen "house hunting" together and smiling for the camera. (See picture, inset. Copyright 2014, TMZ.com.)

Sometimes, very rarely, I have my faith restored in the humanity of reality television show producers.

TLC, which has brought us such "learning" opportunities as 19 Kids and Counting, The Little Couple, and Breaking Amish has cancelled Here Comes Honey Boo Boo, a spinoff of Toddlers and Tiaras, which focused on the family of child pageant contestant, Alana Thompson, and some over-the-top redneckery and gross-out moments, replete with farts, poop jokes, almost-vomits, and things that make you want to bleach your mind.

John R. Dilworth's cowering canine, Courage, is the reluctant hero of this fun cartoon series that blends the styles of Schoolhouse Rock and John Kricfalusi. He's ostensibly a "cowardly dog," and yet he shows degrees of bravery all the time that exceed that of your average dog. He just shows it without any external bravado. He doesn't run around saving those he loves with a grow, but with a tiptoe and a whimper -- but he still does it, because it needs doing.

This Friday night, DC Comics' John Constantine makes his first live action appearance in the NBC series, Constantine. So far, it appears that the writers are doing the series right this time, eschewing the "Hellblazer in name only" platform that was established with the Keanu Reeves vehicle.

Constantine is played by Matt Ryan, whose resume includes such titles as The Tudors and "Layer Cake." In Constantine, however, producers are relying on him to carry the series as the lead -- something he seems quite capable of handling, if the trailers are any indication.