Comics

There are so many different crowdfunded comics popping up these days of varying degrees of quality. And with the mainstream comics market in a state of flux, the projects at Kickstarter and Indiegogo are poised to reap the benefits of the comics distribution shutdown.

One such project is LADY ALCHEMY, a magical hero's journey from Martina Markota and MONSTER M.D.'s Von Klaus. LADY ALCHEMY originally funded two years ago, but then ran into choppy waters with the original creative team. Now, with a fresh writer and artist, Markota's vision is on track to be released soon.

We talk with Klaus and Markota in the livestream below, including some exclusive first looks at the new interior artwork.

With a large portion of the country locked down economically due to COVID-19 restrictions, comic shop retailers find themselves in an unusual predicament. While many shops are open in states that have not had mandatory shutdowns, they nevertheless find themselves without product due to the shutdown at Diamond Comics Distribution, the lynchpin of the entire direct market system.

Critical Blast has talked a lot with retailers during the COVID-19 induced industry shutdown that has impacted the comic book supply chain nationwide, even in states where stores are not facing mandatory closures.

But while the end-user impact is important, we also want to make sure we shine a spotlight onto how the shutdown -- specifically the Diamond Distribution shutdown, which services as the bottleneck for the entire logistics model of getting comic books from publishers to consumers -- has impacted the publishers that bring us our weekly dose of fantasy, horror, action, and every other genre of four-color entertainment.

Across the country, small businesses, deemed non-essential, have been shut down. And while some states have not issued such orders due to their lack of cases of the coronavirus COVID-19, may are still feeling the pinch.

Like Linda Low in Rodgers & Hammerstein's FLOWER DRUM SONG, young Carly Vanders enjoys being a girl in an era where girls are told they should like typical girl things anymore. That's the peek we get into her mindset during an introductory scene from her childhood, before launching straight into her adult life singing and dancing for the USO. Carly's a fashion designer who loves to make her own things, and she loves to make them feminine.

If you're like a lot of other places in the country, you're probably "sheltered in place," either working from home or just stuck at home without work.

If you're a comics fan, you've also been hit by Diamond Distributors closing down operations for the duration, leaving your local comics store without new merchandise, meaning even the stores that were remaining open during the coronovirus outbreak will hurt. (For more about that, check out our conversation with two retailers on how they plan to cope with the situation.)

However, while the Diamond shutdown definitely impacts Marvel and DC shipments, there are a lot of independent comics creators out there who sell directly to the consumer outside of Diamond, with product that may have been crowded out by the larger lines of titles from the Big Two, and this is a good opportunity to check them out.

You only have to go a few pages in to STRANGE ADVENTURES #1 before you know you're in a Tom King book. The traditional hallmarks are there -- the repetitive cycles of daily life that become a routine of ennui, even in the life of someone who regularly participates in the extraordinary.

Adam Strange is Earth's first spaceman. An archeologist by trade, Adam chanced upon an encounter with a Zeta Beam, a transportation ray that strikes Earth at specific times and teleports whoever it hits across the galaxy to the planet Rann, ravaged by pollution and in perpetual war with itself. Naturally, he becomes a hero, being a virile man of Earth. It's reminescent of Edgar Rice Burroughs' JOHN CARTER series in that respect.

It's been a while since indie comics pro Tess Fowler has claimed another career in the comics industry. That dry spell may be over now, depending on how events shape up after today's astonishing announcement from DC Comics writer/artist Sean Gordon Murphy, the driving force behind the best-selling BATMAN: WHITE KNIGHT franchise.

In fact, reception to the WHITE KNIGHT line has been so encouraging to DC that they gave him the reigns to his own little universe -- the Murphyverse -- with power to hire talent for issues that would appear between extended runs.

Bounding out of the pages of Amigo's ROGUES comes BARBARA THE BARBARIAN in this first issue, which tells the savage swordswoman's origin in flashbacks while putting her on the path to a new adventure -- with old traveling companions and old adversaries.

Accompanied by her fun-seeking partners, Blast and Clenk, Barbara sets out for a new city with plans to hide out and maintain a low profile. It's a pipe dream at best, given the impulsive nature of the two men. But it ends up being Barbara who blows their cover when she chances to encounter Hocker, a fence for stolen goods, leading to a chase that brings her back into confrontation with a trio of female warriors who she has bested in combat before.

Comics fans run both hot and cold. One of our favorite activities is kvetching about how some of the big comic stories are going in odd, strange, uncomfortable, or flat-out wrong directions. But ask us what our favorites are? Well, then we'll switch gears and tell you all why those exact same stories are captivating our attention and why you should be reading them too!

And so it that we had quite a number of votes for our nominees for Best Comics Story of 2019, starting with some independent titles who made some impressive debuts, like WHITE WIDOW (Absolute Comics) and BIGFOOT BILL (Doug TenNapel).

In the five years of running the Critical Blast Best Awards, we've never sweated bullets as much as we have over this year's Best Comics Artist category. Every day we peeked in on the results, the top spot would belong to someone different, and the margins were nearly microscopic! And while there was a minor skirmish going on at the lower end of the poll between independent crowdfunding publishers Doug TenNapel and Ethan Van Sciver (who won this award for 2017), the real battle was taking place between Gary Frank (DOOMSDAY CLOCK), J. Scott Campbell (BLACK CAT) and Ivan Reis (SUPERMAN).

Looking back over 2019, there were a number of high-profile comic arcs that caught the attention of the fans. Some of those were the annual event or non-canonical runs, like Tom Taylor's DCEASED, which brought a zombie apocalypse to the DC Universe. Geoff Johns' sequel to WATCHMEN, DOOMSDAY CLOCK crossed universes to tell it's tale, while Jonathan Hickman received critical acclaim for his remastering of Marvel's mighty mutants in HOUSE OF X. 

But there were also notable runs this past year in your ongoing series that focused our eyes on the people crafting the latest twists and turns in the lives of our favorite characters. Brian Michael Bendis stunned us by having Superman reveal his identity publicly to the world, while Donny Cates and Kelly Thompson enjoyed the increased readership on their titles, VENOM and CAPTAIN MARVEL thanks to the appearance of their characters in theatrical films.

It used to be that we voted on the best actor of a television series. But ever since the advent of streaming services, we've struggled for what to call the collective shows that are available many different ways. Sometimes we still catch ourselves saying "Best Actor in a TV Series" even if the show, technically, didn't get shown on a traditional television broadcast.

The past year was a surfeit of choices for pop culture fans, especially if you wanted some live action superhero drama. And while some of the streaming shows got a nod, it was still the tradional broadcast media that led the pack this year, with RIVERDALE's Cole Sprouse taking 16 percent of the votes, just trailing Jean Smart for her portrayal of Agent Laurie Blake in HBO's WATCHMEN.

There's a power vacuum at the hallowed halls of DC Comics, home to supehero icons such as Superman, Wonder Woman and Batman. On Friday, February 21, a late-day announcement was made that Dan DiDio was no longer the co-publisher of the stable of titles.

Speculation immediately spread throughout the fandom, wondering what this might mean for DC Comics. What was the reason for the sudden departure? Would a replacement be named? What impact would this have on DiDio's pet project, the heavily touted "5G" or "Generation 5" launch coming later in the year?

While those are questions for which we await answers with bated breath, we thought it would be a fun little exercise to look at some of the candidates in the industry that might find themselves suddenly getting a call to interview for the open position.

Tom Taylor's DCU Zombieverse marches -- or perhaps, I should say -- shambles on with this new chapter set in the strange new world of the zombie apocalypse...with superheroes!

After Darkseid released a corrupted anti-life equation (which killed him and all of Apokolips), Cyborg became the seed for infecting the rest of the Earth when it broadcast from him to every digital device on the planet. If you looked at a screen, you saw the equation. If you saw the equation, you became a zombie...who could, of course, make other zombies by scratching, biting or otherwise enountering another human being. Or Themysciran. Or Kryptonian.

DC Comics' newest character sparks conversation over character usage and marks.

BATMAN #89 was an instant -- and unexpected -- sellout this week when DC introduced a partial profile cameo of a new character, Punchline. Meant to be a female partner/paramour for The Joker, one once wouldn't have expected much from such a character. Except the last time the role was filled, it went to Harley Quinn, whose first comic book appearance can net over $600, and whose media presence has skyrocketed even further after appearances in mainstream films like SUICIDE SQUAD and BIRDS OF PREY.

So it's natural for speculators to hit the streets to pick up what they are assured is the first appearance of Punchline.

But what if they're wrong?

What if I told you the first appearance of Sabertooth wasn't IRON FIST #14, but... THE FLASH #291?

What if I told you the first apperance of Doomsday wasn't MAN OF STEEL #17, but... SILVER SURFER #13?

The titular EVERGLADE ANGELS are a girls' baseball team whose trip to the championships leads them into the arms of masked killers deep in the Florida swamps.

It's 1997, and the Everglade Angels have clinched their trip to the playoffs, due in no small part to the outstanding performance of Gemma Walsh, daughter of team coach Abigail Walsh. Gemma's definitely the alpha among the team players, the main ones being Naomi, Lacey, Grace and Portia. The five girls decide to drive themselves to the championship game, and this is where their adventure takes a wrong turn -- literally.

Finding themselves lost in a small town, the girls get diverted to a party -- except there's no party there. Instead, there are masked men with weapons, and a strange chemical. They abduct Gemma, as the rest run off for their lives, only to return later to attempt a rescue.

Bruce Wayne's plans for the revitalization of Gotham City get put on hold when five of the deadliest contract killers show up -- among them Cheshire and Deathstroke. (Sorry, Merlyn and the other two forgettables wouldn't have made y radar as the top five DC mercenaries.) Batman quickly captures them and has them put into the "Black Box" at Gotham PD -- a special holding cell designed by Batman and paid for by Bruce Wayne (really, the detectives at GCPD must have gotten their badges in a Cracker Jack box). Yes, Batman now has a "Pipeline" similar to that in THE FLASH, and it's super duper secure, even if Batman does have his own secret built-in entrance to it.

Sylvester Stallone has confirmed via his Twitter account that the greenlight has officially been given for a comic book extension of THE EXPENDABLES, the action franchise that specializes in reuniting actors from classic action films into the ultimate action team-up adventure.

That, in and of itself, is big news.

What is perhaps bigger news is the venue selected for the venture: an Indiegogo campaign, managed by start-up publisher Richard C. Meyer. If you don't know the name, you probably haven't been following the comics industry online for the past few years. Meyer is one of the most recognizable names in the loose-knit and frequently highly contentious confederation of independent creators collectively known as Comicsgate, an entity that has been attacked from without almost as much as it has from within.

THE DOLLHOUSE FAMILY is the first Black Label title from DC I've seen that wasn't in a prestige format size. This makes me happy for more than one reason, but mostly because i don't always have to pay the price point necessary for the oversized prestige formatted books.

This comic is also what Andy Khouri should have been courting to the Vertigo line before it became a corpse so decayed it can't even be used for good fertilizer. Or perhaps Chris Conroy should have been given the editor's position earlier. But, it's fruitless to become lachrymose over upturned dairy, so let's take a forward-looking approach, because THE DOLLHOUSE FAMILY is a positive step forward for DC mature horror.