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It's not uncommon that a film have a theme. In fact, it's expected. You watch the film, you digest the plot, and you come away with the idea that, "This was a metaphor for this particular idea."

With CHARLIE'S ANGELS (2019), the theme is explicitly stated up front, and then slowly moves on from there to hammer that idea home. And that idea is this: Men are bad.

In this Elizabeth Banks take on the CHARLIE'S ANGELS franchise, the Townsend Agency has been taken international, just as John Bosley (Patrick Stewart) is retiring. As a tribute of sorts, every agency's lieutenant is given the rank of "Bosley," which doesn't get confusing at all. So Elizabeth Banks' character in this film is called Bosley as she directs the activities of her Angels while also directing the actors playing them.

GHOST KILLERS VS. BLOODY MARY is designed to appeal to the fans of cult, independent gross-out gore flicks. If you have a collection of Troma titles and early Peter Jackson works, then this is an edition that will fit nicely onto your shelf.

The basic plot of the story involves a YouTube ghost hunting group that is struggling for clicks as they overact and overemote while faking the ghosts they are seeking to destroy. When a high school student is hospitalized after a purported encounter with an urban legend spook, the principal calls the group in to do their thing and make the local parents feel better. He doesn't believe there really is a ghost, but he's heard of their YouTube channel and he thinks that putting on a good show will help people relax. And the Ghoul Hunters are more than happy to take the money to put on a show.

SWAMP THING was one of a handful of original series created for the DC UNIVERSE streaming service -- and it's first casualty. While it completed it's first season of ten episodes, it became clear near the end that the writing was on the wall and things began to get wrapped up in a huge hurry. But there is still hope that fans may see more of the muck-encrusted mockery of a man, if the post-credits teaser of the final episode is any indication.

In this adaptation of the Len Wein and Bernie Wrightson series, Abigail Arcane (GOTHAM's CRYSTAL REED) is a doctor with the Center for Disease Control, who finds herself assigned to a team to investigate a mysterious disease plaguing the town of Marais, Louisiana. The assignment is particularly troublesome to Abby, because Marais is her former home, and we find that she left it under a cloud years ago.

It's not often that I can start a review of a home video release before actually opening the product, but HANGIN' WITH MR. COOPER, The Complete Third Season, is one of those rare cases. Going by the Amazon listings for previous releases, Warner Brothers is consistent with the trade dress of these covers to tie them together uniformly. However, that's where any thought to design quality stops. The image of leading man Mark Curry is rendered with all the photographic quality of an inkjet printer working with a picture that has been blown up beyond the integrity of its resolution. The image is cloudy, as though soft-light filtered, but lacking any definition. Similarly, the images from the back cover are stills cropped from the show given no pre-printing treatment to clean them up. Even the text has a slightly blurry look to it, as though the entire thing might have been printed clean and sharp for the back of a trading card, and was then printed in an area larger than intended.

More than a few people expected PARASITE, the film from director Bong Joon Ho, to take the Oscar for Best Foreign Film. But far more were taken aback when the film swept out of that niche and into the broader part of the ceremony, nabbing the coveted Best Picture award.

Is it a good movie? It's okay. It's a bit of a slog in places, and for American audiences it is clogged with cultural references that won't strike any chords. Add to that the fact that the entire thing is subtitled throughout, and you end up with a recipe for Decidedly Not a Blockbuster.

There's a perverse appeal to YOU, the nigh un-Google-able creation fo Sera Gamble (SUPERNATURAL) and Greg Berlanti (every CW superhero show we love). The protagonist is a very disturbed individual who does for stalking what DEXTER did for serial killing.

Joe Goldberg (Penn Badgley, GOSSIP GIRL) is a reclusive book store manager who specializes in old and rare volumes. When Guinevere Beck (ONCE UPON A TIME's Elizabeth Lail) walks in, he zeroes in on her, immediately interested, and revealing his analysis to the audience through way of his inner dialogue, a narration medium used to great effect throughout the season. He pays attention to the way she moves, the way she dresses. And when she leaves, he turns to social media to fill in the gaps.

So here's the gist of the TERMINATOR franchise: In the future, an artificial intelligence called Skynet decides humanity needs to be purged, and creates killer robots called Terminators. But John Connor would mount a successful resistance, forcing Skynet to invent time travel so it could send a robot into the past to prevent him from growing up. It fails, and only succeeds in ensuring John Connor is born. His mother Sarah Connor then fights Terminators who keep coming back trying to kill him, so that the future would be changed.

Only we see in the beginning of TERMINATOR: DARK FATE that a Terminator arrives and does successfully shoot the young John Connor in the head, leaving a grieving and embittered Sarah Connor behind to mourn.

So Skynet's future is assured, right?

Wrong.

It's WILL SMITH vs WILL SMITH when the classic "nature versus nurture" debate gets tested in the world of highly-skilled assassins.

Smith plays Henry, a superior marksman with a number of kills to his credit all of whom were bad guys looking to do harm to America. Until this last job. When he misses his kill shot by a few inches (still killing the man), he decides it's time to hang it up and retire. After all, an inch in the wrong direction can mean the difference between a righteous kill and an innocent victim.

However, Henry's last target wasn't what Henry was led to believe: he was the loose end in a secret government program called "Gemini." And now the last dangling thread is Henry himself. He manages to fight off an attack of several men, picking up a partner in Agent Dani Zakarweski (BIRDS OF PREY's MARY ELIZABETH WINSTEAD) by accident. And when the men behind his kill order realize Henry escaped, they send in their best man.

Junior.

Enter to win all three BEVERLY HILLS COP moveis in this newly remastered release from Paramount Home Video.

The heat is on in this fast-paced collection of action-packed comedies starring Eddie Murphy as Axel Foley, the street-smart cop from Detroit. Tracking down his best friend's killer in BEVERLY HILLS COP, Axel smashes through the local barriers in a hilarious, high-speed pursuit of justice. In BEVERLY HILLS COP II, he's deep undercover, investigating a gang of international munitions smugglers. The third installment finds Axel at the center of a roller coaster thrill ride at the wonderful amusement park! Watch all three and get hooked for the whole ride.

For your chance to win this Blu-ray collection use the form below and select one or more options of entry. Be sure to check our rules and regulations page first.

I love a good conjecture. Take what we know, add in a pinch of what we don't know, shake it well, and voila: conjecture, the third cousin of "What if" and "Maybe."

That's why I enjoy watching ANCIENT ALIENS -- and with twelve seasons under their belt on The History Channel, I'm apparently not the only one.

The producers of ANCIENT ALIENS never fail to intrigue and provoke, applying new interpretations to ancient lore while simultaneously keeping abreast of the most current events in ufology, and this twelfth season is no exception. From Antarctica to Canada, from early American druids to subterranean lizard people, ANCIENT ALIENS excels at drawing lines between disparate data points to make entertaining connections.

When Grace (SAMARA WEAVING) accepted a marriage proposal from Daniel Le Domas (ADAM BRODY), she expected her life to change. After all, the Le Domas clan was richer than Croesus, and their reputation was global. What she didn't plan for, however, was the wedding night tradition of midnight game play. The Le Domas dynasty had been built on marketing games, and it had been a long-standing tradition that upon any wedding, the new family member would be assigned a random card from a puzzle box, detailing the game to be played. It could be checkers, chess, backgammon...anything at all.

But one game required different rules than all the others: Hide and Seek. That's the game when the family knew their ages-old benefactor demanded a sacrifice be made. So when Grace pulls that card, and goes off to find a hiding place, she is completely unaware that the family is preparing to come looking for her -- armed to the teeth!

I will say this for Tim Janis's BUTTONS: A CHRISTMAS TALE: it's heart is in the right place, and it delivers familiar faces -- and voices -- at every turn. Beginning with narration from KATE WINSLET and ROBERT REDFORD, we waste no time in being introduced to legendary actor DICK VAN DYKE, leaving a note at the doorstep of Mr. & Mrs. Hill (PAUL GREENE, ABIGAIL SPENCER). A child is at the hospital awaiting adoption, and the Hills are too eager to rush there to fill that role.

At that same time, Emily (NOELLE PARKER) is brought to the hospital, brought to Mother Genevieve (ROMA DOWNEY), to the chagrin of the doctor (STAR TREK: THE NEXT GENERATION's JOHN De LANCIE). He makes it clear that she can't stay past the night, as this is a private hospital for paying patients.

The events of OFFICIAL SECRETS are true, and that's what makes the film so magnetic. It's not overblown with explosions, high-speed chases, or tense confrontations. It's a sequence of human decisions, facts, denials, and consequences.

Katharine Gun (KIERA KNIGHTLEY) was working as a translator for the Government Communications Headquarters (GCHQ), the British counterpart to the United States' NSA. Between the events of 9/11 and the invasion of Iraq, she was one of several recipients of a confidential email from the NSA, requesting assistance from GCHQ to dig into the backgrounds of several United Nations representatives for the purpose of finding leverage on them that could garner their votes for an invasion. Torn between duty and conscience, Katharine ultimately printed the email and, through a series of back-channels, got it into the hands of reporters at The Guardian.

BLINDED BY THE LIGHT is a coming of age tale set in a small town in Britain. Javed (VIVEIK KAIRA) is a British young man of Pakistani descent. His father and mother (KUVLINDER GHIR, MEERA GANATRA) both emigrated from Pakistan for a better life. But this is the UK of the 1980s, and teens walk the streets wearing swastikas. Pakistani homes are assaulted with grafitti, and Pakistani men are attacked on the street.

Javed is uncertain what path his life will take, but he knows he doesn't want it to be the path his father puts him on. He writes lyrics for his best friend, Matt (DEAN-CHARLES CHAPMAN), who fronts for a rock band, and he dreams of going to London to make it on his own there.

The world is all divided into three parts. On the first, there is the island of the flightless birds, who get around in the air through the use of giant slingshots. On the other island live the green pigs, with whom the birds are at constant prank war. Chief among the warrior birds is Red (JASON SUDEIKIS), who is revered because he protected the island from the pigs and their leader, Leonard (BILL HADER) with the help of his friends Chuck (JOSH GAD) and Bomb (DANNY McBRIDE).

But there is a third island, an island of ice, newly discovered and declaring war upon the lands of both pig and bird, launching giant iceballs through the air and reigning down not pranks but destruction. Having a common enemy, birds and pigs forge a truce to work together and stop the mad plans of Zeta (LESLIE JONES) who seeks revenge against the one who jilted her years ago -- Mighty Eagle (PETER DINKLAGE).

The idea of adapting the Nickelodeon pre-school cartoon series, DORA THE EXPLORER, into a matured teenaged jungle expert is, quite frankly, an idea that should have been money in the bank. From the trailers, we see all the classic DORA touchpoints that seem deservedly odd in a live-action film, such as young Dora breaking the fourth wall and asking the audience if they can say a word. That's a cute throwback to the cartoon series. 

When we first meet Dora, she's six years old, and living in the jungle with her parents, Elena (EVA LONGORIA) and Cole (MICHAEL PEÑA), and her cousin Diego. When Diego has to go back home to the city (Go, Diego! Go!), Dora is left with no one her own age with whom to relate.

If I'm asked to summarize CATCH-22, the HBO miniseries adapted from the Joseph Heller novel, I would say, "It's M*A*S*H, but earlier and far more tragic."

The setting is World War II, the European theater, where John Yossarian (CHRISTOPHER ABBOT) is a bombardier who goes on missions into enemy territory over northern Italy during the end of the war when the Germans are on the defensive. His goal is to fly the number of missions he's assigned so that he can fulfill his duty and go back home.

Disney is on a roll when it comes to producing "live action" versions of their animated classics, and their release of THE LION KING is no exception. Now, with Christmas on a collision course with all of us, the House of Mouse has released this CGI masterpiece to the home video market, including Blu-ray and Digital.

There have been a few moments in the Batman mythos that have been truly memorable, have truly changed the landscape for the fans. (If you ask Robert Greenberger, there are at least 100 of these, but that's a review for later this week.) 

One such moment came in 1999, when a new animated series took Batman into the near-future; where Bruce Wayne (KEVIN CONROY) is a retired octogenarian, and Terry McGinnis (WILL FRIEDLE) as the latest heir to the mantle, in a New Gotham that has a whole new set of problems.

When we are introduced to the series, Bruce is wearing the jet-black, tricked-out costume. But his age is catching up with him, and his heart isn't holding up. When he finds himself grabbing a dropped gun to defend himself against a common thug, he's horrified at what he's doing, and seals up the Batcave for good.

Has it really been twenty years since TIM ALLEN, SIGOURNEY WEAVER, ALAN RICKMAN, TONY SHALHOUB, SAM ROCKWELL and DARYL MITCHELL took off aboard the NSEA Protector to explore the farthest corners of the galaxy -- only to have their voyage cancelled on a cliffhanger? See, GALAXY QUEST was just a television show, a science fiction classic beloved by fans and made into the centerpiece of conventions, much to the chagrin of the actors of the series -- Jason Nesmith, Gwen DeMarco, Alexander Dane, Fred Kwan, Guy Fleegman, and Tommy Webber -- who found themselves typecast into their roles and condemned to make a living through special appearances and autographing photos. The only one really into it is Nesmith (ALLEN), but when he overhears two teens talking about how pathetic his life must be, it shakes his confidence.